A retired schoolteacher, Lucille, also in her 80s, never married because Frank, her high school true love, wed someone else. Her problems stem in part from the fact that her father, who raised her alone, irrationally blames her for her mother’s death in a car crash soon after her birth. As the point of view shifts among these three characters, we learn that Maddy, now a senior in high school, has been ostracized by her classmates. They strike up a friendship born of mutual isolation, and she dubs him “Truluv” for his enduring devotion to Nola. (This book depicts so many luscious-sounding confections it should come with its own FDA label.) One day at the cemetery, Arthur meets Maddy, a teenager with a nose ring, who hangs out there. At night, he dines on whatever canned goods he can cobble together, tries to prevent his cat, Gordon, from running away, and dodges the busybody next door, Lucille, who keeps trying to entice him onto her front porch with her delicious baked goods. In a small Missouri town, a widower finds solace by reaching out to other troubled souls.Īrthur Moses, 85, goes every day to the cemetery to eat his lunch at his late wife Nola’s grave.
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Results of analysis and early conclusions should be thoroughly tested with informed third party opinion and a wide cross section of all stakeholders. This can involve a full SWOT analysis, scenario planning and full deployment of all the strategic planning tools. This involves extensive internal dialogue regarding the market and competitor environments. So a key early task is to develop a sense of urgency around the need for change. John Kotter introduced his eight-step change process in his 1995 book, "Leading Change."Īs mentioned above, John Kotter suggests that for change to be successful, 75% of a company's management needs to support the change. So developing a sense of urgency around the need for change may help you spark the initial motivation to get things moving. John Kotter suggests that at least 75% of people wanting it creates a critical mass. John Kotter's highly regarded books 'Leading Change' (1995) and the follow-up 'The Heart Of Change' (2002) describe a popular and helpful model for understanding and managing change.Įach stage acknowledges a key principle identified by Kotter relating to people's response and approach to change, and in which people see, feel and then change.įor change to happen, it helps if a sufficient number of people within an organisation want it. I voluntarily reviewed an advance complimentary copy of this book. Sinner was an evil man and I cannot wait to witness his downfall brought upon by this unique quintets. I’m deeply hooked into the story and highly invested in the characters. There was an interesting discovery between two members of the quintet in which I’m dying to see how that would play out. However, the juries were still out to determine if they were assets or drawbacks. Some additional characters were added to the path of their vengeance. Each one of the members played an important role in the group that complimented the other. I loved the dynamics between the quintets. Harlow was trying to keep her heart protected and locked, but as each of the boys revealed their past and vulnerability, her resistance was futile. Harlow’s plan to take down the Sainthood leader, Sinner, was progressing. The never-ending danger and twists kept me on the edge of the seat the whole time and I loved every minute of this wild ride. Picking up right where we left off from the last installment, Rebellion took me on another mind-blowing and suspenseful spin. The setting for the story is an ancient Cornish house called Kilmarth, which is based on the house the author had recently bought following the death of her husband. It is set in and around Kilmarth, where Daphne du Maurier lived from 1967, near the village of Tywardreath, which in Cornish means "House on the Strand". The narrator agrees to test a drug that transports him back to 14th century Cornwall and becomes absorbed in the lives of people he meets there, to the extent that the two worlds he is living in start to merge. It has been called a Gothic tale, "influenced by writers as diverse as Robert Louis Stevenson, Dante, and the psychologist Carl Jung, in which a sinister potion enables the central character to escape the constraints of his dreary married life by travelling back through time". Like many of du Maurier's novels, The House on the Strand has a supernatural element, exploring the ability to mentally travel back in time and experience historical events at first hand - but not to influence them. The US edition was published by Doubleday. The House on the Strand is a novel by Daphne du Maurier, first published in the UK in 1969 by Victor Gollancz, with a jacket illustration by her daughter, Flavia Tower. As noted, Civil Disobedience is studied in social sciences, political science, civil rights, and humanities, yet while only an essay, Civil Disobedience is often textbook required reading. Henry David Thoreau's motivation to pen the Civil Disobedience essay was in part due to his disgust with slavery and the Mexican-American War. In Civil Disobedience, Henry David Thoreau argues that individuals should not permit governments to overrule their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. While Henry David Thoreau was considered a transcendentalist, his work of writings encompasses social sciences, political science, civil rights, and humanities. Civil Disobedience written by Henry David Thoreau is an essay that was first published in 1849. This is Wenzel's first book as both illustrator and writer, and it's marvelous no matter how you look at it. Yes, they all saw the cat") creates a powerful, rhythmic juxtaposition between word and image, and inventively varied renderings showcase a versatile, original talent at work, in media ranging from collage to pencil and watercolor. The simple text ("the skunk saw a cat, and the worm saw a cat, and the bat saw a cat. And a bee sees a collection of multicolored dots a pointillist pussycat. A mouse cowers before the dragonlike creature of horror that bounds out of a blood-red background with blazing yellow eyes. But a flea sees a vast forest of dense hair to conquer. To a child, the cat looks like a pet: affectionate, big eyed, and adorable. They All Saw A Cat by Brendan Wenzel - New York Times bestseller and 2017 Caldecott Medal and Honor Book An ingenious idea, gorgeously realized. What those features add up to depends on the eyes of the beholder, not to mention scale relationships, instincts, and history. "The cat walked through the world, with its whiskers, ears, and paws," writes Wenzel (Beastly Babies) at the opening of this perspective-broadening picture book. ― David Eddings, quote from Pawn of Prophecy And thus the adventure ended with our hero tasting victory but tenderly declining victory's true compensation.” But modest Garion innocently departed and tarried not to claim those other sweet rewards the gentle maid's fond demeanor so clearly offered. Her eyes flamed with admiration, and her chaste bosom heaved with newly wakened passion. And there she lovingly bestowed that single kiss that is the true hero's greatest reward. hastily, she pursued him and fondly clasped her snowy arms about his neck. with simple dignity then, he quit the field, but the bright-eyed maid would not let him depart unrewarded for his valor. Like a hero, Garion stood over the vanquished, and, like a true hero, did not boast nor taunt his fallen opponent, but offered instead advice for quelling that crimson blood. The bright blood flew, and the enemy was dismayed and overcame. “A great blow it was,' he said in expensive tones, 'worthy of the mightiest warrior and truly struck upon the nose of the foe. Including Roane Robson, a ridiculously sexy farmer. Not only is Evie swept up in running the delightful store as soon as she arrives, she's drawn into the lives, loves and drama of the friendly villagers. There's no better getaway for the bookish Evie, a life-long Shakespeare lover. The holiday package comes with a temporary position at Much Ado About Books, the bookshop underneath her new flat. Impulsively, she plans a holiday in a quaint English village. When she's passed over for promotion at work, Evie realizes she needs to make a change. Īt thirty-three-years old, Evie's life in Chicago is missing that special something. Welcome to Much Ado About Books, a bookshop where dust and dreams sparkle in the air. Hill throws us right in at the deep end by having the protagonist, Ig, discover his new predicament – that a nice sharp pair of horns have begun growing out of his forehead – on the very first page. It’s unfortunate: Horns actually starts off very promisingly. The main impression I had of the majority of the book was “meh.” I own both Horns and Heart-Shaped Box, but decided to go with Horns as it was the subject of the group read on a forum I participate in. Aside from a few teenage forays into King and Herbert, I’m something of a stranger to the genre, but Joe Hill’s work has appealed to me for a while now. Back in October, I fancied dipping into a horror novel. The chinoiserie and exoticism aside, Violet makes a tough and compelling character, a sort of female equivalent to Yul Brynner as played by Lucy Liu. She has a daughter, and the daughter, naturally enough, has cause to wonder about her ancestry, if little time to worry overmuch about some of the details, since her mom leaves her to fend for herself, not entirely willingly. Tan is a skilled storyteller, capable of working her way into and out of most fictional problems, but the reader will be forgiven a sinking feeling at the scenario with which she opens, featuring “the only white woman who owned a first-class courtesan house in Shanghai.” Where are the Boxers when you need them? Said white woman, Lulu Minturn, aka Lulu Mimi, is in Shanghai for a reason-and on that reason hinges a larger conceit, the one embodied by the book’s title. Granted that courtesans and the places that sheltered them were (and in some places still are) culturally significant in East Asia, Tan takes what might seem an unnecessary risk by setting her latest novel in that too-familiar demimonde ( Miss Saigon, Memoirs of a Geisha, etc.). Tan, who made her name with The Joy Luck Club (1989), blends two favorite settings, Shanghai and San Francisco, in a tale that spans generations. |